Installation view, gallery Hidde van Seggelen, Hamburg, 2021

From left to right: Attributes of the Immortals, New Trick, Traditional Love, 1996-1998, silk embroidery, stainless-steel peg, 38 x 38 cm each, private collections

Exhibition view, Museum Boijmans van Beuningen, 2009

Bouquet (after Süe et Mare), 1998, mother-of-pearl and coromandel veneer on panel, stainless-steel peg, 43 x 43 cm, collection Museum Boijmans van Beuningen

En Filigrane, 2007, silver filigree, 72 cm, collection museum Boijmans van Beuningen

Bibelots, 2009-2010, semi precious stones, precious stones, pearls, silver gilt, gold, diamonds

Historical Homage to the Square, 2015, marquetry, stainless-steel peg, 50 x 50 cm

The Last Marble, 2017, mosaic, 180 cm, private collection

Two False Abstracts: on the left Ming, on the right Breche Violet, 2008, different makers

Yokeina Yaki (superfluous earthenware), 2019-2020, earthenware, four makers, private collections

In Vitro Biography - Kurt Schwitters, 2015, glass, stainless-steel peg, 50 x 50 cm

Exquisite Corpse (The Grammar of Ornament), 2016-2022, 3D printed sandstone, 5 parts, 43 cm each part, ed. 5, with Young and Ayata, private collections and courtesy the gallery

Exhibition view, Museum Kranenburgh, 2024

Bell Bronze - E, 2019, bronze, steel and leather clapper, 100 cm, private collection

Monokurōmu, 2012-2024, Japanese lacquer on panel, stainless-steel peg, 60 x 60 cm

From left to right: Teadust, Robin's Egg, Antibacterial Monochrome, Japanese lacquer on panel, stainless-steel peg, private collections

Bengara Sampler, 2024, Japanese lacquer on panel, stainless-steel peg, 65 x 65 cm

Bell Bronzes