installation view, Museum Kranenburgh, Bergen, 2024   (photo: Choreo)

from left to right: Scratching Lacquer, Monokurômu  (photo: Aad Hoogendoorn)

Routine Investigation, 2019 - 2020, Japanese lacquer on panel, stainless-steel peg, 70 x 70 cm, with Sergej Kirilov

from left to right: Black vs Black, Salangan  (photo: Aad Hoogendoorn)

Structural Colour, 2023, Japanese lacquer and mother-of-pearl on panel, stainless-steel peg, 45 x 45 cm, with Sergej Kirilov

Borrowed Scenery, 2020, Japanese lacquer on panel, stainless-steel peg, 60 x 60 cm, with Sergej Kirilov, private collection

from left to right: Broken White, Broken White 2, Field  (photo: Choreo)

Emu - reverse crush 2, 2015, Japanese lacquer and eggshell on panel, stainless-steel peg, 65 x 65 cm, with Sergej Kirilov, private collection

Negoro in Winter  (photo: Aad Hoogendoorn)

from left to right: Teadust, Robin's Egg, Antibacterial Monochrome  (photo: Choreo)

Dusty Yellow, 2014 - 2018, Japanese lacquer on panel, stainless-steel peg, 55 x 55 cm, with Sergej Kirilov

The Resident Colour,  2011, Japanese lacquer on panel, stainless steel peg, 50 x 50 cm, with Mariko Nishide, private collection

Le Rouge et le Noir, 2001, Japanese lacquer on panel, stainless-steel peg, two parts, 65 x 65 cm each, with Mariko Nishide, collection Bonnefantenmuseum Maastricht

Bengara Sampler, 2024, Japanese lacquer on panel, stainless-steel peg, 65 x 65 cm, with Sergej Kirilov

Print, 2024, Japanese lacquer, stainless-steel peg, 60 x 62 cm, with Sergej Kirilov

The Lacquer Tree, 2019, wood from the lacquer tree, stainless-steel peg, 54 x 58 cm, with Sergej Kirilov